Revered as one of the most influential architects of the 20th century, Le Corbusier made his mark across numerous design disciplines during his expansive 50-year career.
Intertwined with his writing, painting, furniture design, and urban planning, his visionary works helped establish modernist architecture as the leading European vernacular.
Amidst a time of significant philosophical and artistic change, Le Corbusier was part of a collective of similarly-minded contemporaries such as Mies van der Rohe who shared the same design principles that formed the modernist movement.
At the forefront of such significant change, Le Corbusier became as well known for his architectural ideologies as his austere attire. Most notably, he favoured bow ties, double breasted suits and of course, his round-eye glasses.
His real name was Charles-Édouard Jeanneret.
It was only later in 1920, at the age of 33 when he adopted his architectural pseudonym which he adapted from his grandmother’s surname Lecorbésier. In English, it translates as “The crow-like one.”
A fitting description when you observe his studious nature, peering through his glasses at the hand-drafted schematics of buildings.
“The crow-like one.”
He was born into a Swiss-French family in the sub-alpine city of La Chaux-de-Fonds part of ‘the Jura’ mountain range; a region best known for its fine watchmaking.
Interestingly, just 5km over the border, the French Jura region also later became known for its production of exemplary wire and acetate glasses frames. A mere coincidence but worth mentioning in the context of eyewear enthusiasm.
Between the canton of Morez and the further region of Oyonnax, the Jura mountains hosts 80% of French eyeglasses manufacture.
Le Corbusier and Pierre Jeanneret in the Architects' office in Chandigarh, India, 1950 | Image source: Canadian Centre for Architecture
5 points of architecture
Le Corbusier engaged with numerous disciplines of design. Perhaps his strongest influence was his artistic aptitude for cubism which he integrated with his ‘5 points of architecture.’
Le Corbusier's, Unité d’Habitation, Marseille, France, circa 1950 | Image credit: Journal of the Society of Architectural Historians
Le Corbusier had a strict approach to the way in which he thought buildings should be designed and constructed. It was his contemporary techniques which utterly contrasted the opulent nature of the Gothic, Baroque and Art Nouveau styles prior.
Instead he favoured a much simpler, geometrically purer approach to his work which stemmed from the industrialisation of the era. Basic geometry made in reinforced concrete, it was spheres, domes, cubes and cylinders which drove Le Corbusier’s iconic ‘purist style.’
Via his pragmatic demeanour and revolutionary practice, Le Corbusier is easily one of the most recognisable figures of modern architecture.
Throughout these images, you’ll have noticed his strictly sartorial dress code comprising of structured suits, formal bowler hats and his iconic bold glasses frames. It was his consistent style that we’ve come to know so well, and became what I personally argue as the origin of the round architect glasses style.
During his 5 decade career, Le Corbusier’s choice of spectacles rarely wavered. They were predominantly full-rim and made from thick black acetate which yielded his characteristic owlish look.
Similar to his functional approach, his glasses were occasionally fitted with what are known as blade temples.
Sometimes called paddle temples, they were designed to be easily slid on or off the wearer’s head. Presumably helpful for Le Corbusier whilst examining drawings or reading documents.
Intentionally or otherwise, the linear nature of his blade temples resembled the intersecting windows and voids which punctuated many of his famous geometric buildings. The Dom-Ino House, Maison La Roche, Villa Le Lac and his most famous Villa Savoye to name but a few.
Seen below, our tribute glasses frame adorns similarly simplistic geometry in the shape of the round frame front and linear, straight sides.
Complexe Du Capitole building in Chandigarh India | Image credit Dezeen.
Quartiers Modernes Frugès housing development in Pessac France | Image credit: afasiaarchzine.com
Le Corbusier's Maison Guiette building in Antwerp Belgium | Image credit: Archdaily
Immeuble Clarté building in Geneva Switzerland | Image credit: Pinterest
The Villa Savoye, built with reinforced concrete in Piosy, France, 1931. Designed in collaboration between Le Corbusier and his cousin Pierre Jeanneret | Image credit: Vogue
Alternatively, Le Corbusier’s other glasses frames featured drop end temples.
These would have provided a more secure fit on his head due to the hockey-curve ‘drop’ behind his ears. Perfect for office work whilst he inevitably looked downward over his many drawings and ideas.
However, these slight changes in temple-choice were invariably part of a round-eye frame front; his signature frame of choice.
Throughout his career, Le Corbusier's geometric spectacles aligned perfectly with his pragmatic ideals, alluding to the eyewear icon we admire so much.
Whether you’re an architect or not, this frame style has great relevance and reflection towards of one of history’s greatest creatives. A level of recognition and studiousness we can strive to achieve through this enduring spectacle style.
As homage to his style and work as an architect, we’re proud to handmake our own interpretation of his thick round glasses as a single one-off piece.
If you'd like us to make you a pair of these architect glasses, we are able to do so under the proviso of a short-run production batch. By registering your interest, we will keep you notified when we can make your very own Le Corbusier glasses.
“Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.”